Film stock emulations recreated as free Lightroom XMP film emulation presets — Kodak Portra, Gold, Ektar, Fuji Superia, Pro, Reala, and more. 83 free presets covering consumer, professional, discontinued, and cinema C-41 negative film stocks for authentic color grading and analog character in digital photography.
83 presets in Presets/Color-Negative/
| # | Preset | Character / Source |
|---|---|---|
| 1 | Adox Color Implosion | Adox Color Implosion was a deliberately flawed experimental color negative film produced by Adox (Fotoimpex, Germany). |
| 2 | Agfa Optima 100 | Agfa Optima 100 was a German consumer-grade color negative film produced from the mid-1990s through the mid-2000s. |
| 3 | Agfa Optima 200 | Agfa Optima 200 was the faster variant of the Agfa Optima consumer color negative family. Produced from the mid-1990s through the mid-2000s. |
| 4 | Agfa Ultra 100 | High saturation consumer film, vibrant reds, warm yellow cast, discontinued 2005 |
| 5 | Agfa Vista 100 | Budget color negative, neutral palette, fine grain for price point |
| 6 | Agfa Vista 200 | Everyday 200-speed consumer film, natural skin tones, balanced rendering |
| 7 | Agfa Vista 400 | High-speed budget film, moderate grain, warm rendering, all-rounder |
| 8 | C Print | RA-4 chromogenic color paper character, soft contrast, pastel shadow tones |
| 9 | CineStill 400D | Daylight-balanced cinema film, remjet removed, halation glow in highlights |
| 10 | CineStill 50D | Daylight-balanced color negative cinema film (remjet removed) |
| 11 | Ferrania Solaris FG 400 | Italian 400-speed, grain-heavy rendering, warm Mediterranean color palette |
| 12 | Fuji 100 Industrial | Japanese-market-only consumer film, ultra-fine grain, cool-neutral balance. Known as the “Japanese Superia.” Sold in bulk in Japan as “Fujicolor 100 Industrial”. |
| 13 | Fuji NPS 160 Pulled | Fujicolor NPS 160 pulled 1 stop (overexposed + reduced development). Low contrast, low saturation, cooler color balance, finer grain, soft contrast portrait film. |
| 14 | Fuji Natura 1600 | Japanese-market high-speed color negative, designed for Fuji Natura Classica, NP mode |
| 15 | Fuji Pro 160C | Higher-contrast, higher-saturation professional color negative. The “vivid” sibling in Fujifilm’s PRO 160 line. |
| 16 | Fuji Pro 160NS | The definitive breakdown of Fujifilm’s pastel portrait film — cool-cyan shadows, low contrast, and the “pro wedding photographer” palette. |
| 17 | Fuji Pro 800Z | High-speed professional portrait film. Fujifilm’s answer to Portra 800 — warm tones, moderate grain, low-light mastery. |
| 18 | Fuji Reala 100 | Fourth color layer for accurate greens, neutral skin tones, archival-grade, discontinued |
| 19 | Fuji Superia 100 | Fine-grain consumer film, cool-neutral color, sharp acutance, entry-level quality |
| 20 | Fuji Superia 1600 | High-speed consumer negative, prominent grain, cool shadow cast, low-light option |
| 21 | Fuji Superia 200 | General purpose 200-speed, slightly cool bias, good skin, reliable all-rounder |
| 22 | Fuji Superia 800 | Fast consumer film, punchy saturation, green-leaning shadow tones |
| 23 | Fuji Superia HG 1600 | “High Grade” Superia variant — premium high-speed consumer film. Finer grain than standard Superia 1600, better skin tones, less green shadow cast. |
| 24 | Fuji Superia X-TRA 400 +1 | Overexposed 1 stop, pastel rendering, reduced grain, softer contrast |
| 25 | Fuji Superia X-TRA 400 | Versatile consumer 400-speed, punchy greens, cool-leaning shadow tones |
| 26 | Fujicolor C200 | Entry-level 200-speed, warm-golden bias, decent exposure latitude |
| 27 | Fujicolor NPH | Professional portrait/wedding film, low contrast, neutral skin tones, Pro 400H precursor |
| 28 | Fujicolor Superia Premium 400 | Japanese-market premium 400-speed, finer grain than standard Superia X-TRA |
| 29 | Fujifilm Classic Chrome | A complete analysis of the Classic Chrome look: color palette, contrast behavior, tonal response, and how it differs from other Fujifilm simulations. |
| 30 | Fujifilm Classic Negative | Soft magenta-yellow palette, muted saturation, raised blacks, nostalgic digital simulation |
| 31 | Fujifilm Pro 400H | The definitive breakdown of the “400H look” — why wedding photographers and editorial shooters are still grieving. |
| 32 | Fujifilm Eterna | Primary: Soft, muted, low-contrast cinematic look with warm cast |
| 33 | Fujifilm Nostalgic Negative | Digital film simulation (Fujifilm X-T5 / X-Trans V) |
| 34 | Kodacolor VR 200 | 1980s consumer negative, warm-yellow cast, moderate grain, vintage snapshots |
| 35 | Kodak ColorPlus 200 | Budget consumer film, warm yellow-red bias, high latitude, very forgiving |
| 36 | Kodak Ektar 100 +1 | Overexposed Ektar, slightly softer saturation, creamier skin tones than box speed |
| 37 | Kodak Ektar 100 | Tagline: “Slide film in C-41 clothing” — Ultra-saturated color negative with minimal grain, high contrast, and warm earth tones. A polarizing film stock that either delights or overwhelms. |
| 38 | Kodak Farbwelt 200 Expired | European-market Kodak variant, 10+ year expired, magenta-shifted color, faded contrast |
| 39 | Kodak Gold 200 +1 | Overexposed Gold 200, pastel-soft contrast, dreamy highlight blooming |
| 40 | Kodak Gold 200 +2 | Overexposed 2 stops, very pastel, washed-out sun-bleached snapshot aesthetic |
| 41 | Kodak Gold 200 Expired 10yr | 10-year expired Gold, slight magenta color shift, reduced contrast from age |
| 42 | Kodak Gold 200 Expired 30yr | 30-year expired, heavy magenta-green shift, pronounced grain, extreme color cast |
| 43 | Kodak Gold 200 Frontier | Frontier SP3000 lab scan, high contrast, vibrant Kodak yellow rendering |
| 44 | Kodak Gold 200 Noritsu | Noritsu HS-1800 lab scan, softer contrast, greener shadow balance |
| 45 | Kodak Gold 200 | Warm golden consumer classic, punchy yellows, approachable contrast, every-shooter film |
| 46 | Kodak High Definition Plus 200 | Fine-grain 200-speed consumer emulsion, clean rendering, HD marketing era |
| 47 | Kodak Max 800 | High-speed consumer zoom-film, heavy grain, warm rendering, late-1990s era |
| 48 | Kodak Portra 160 | Ultra-soft contrast, wide dynamic range, pastel-flawless skin. |
| 49 | Kodak Portra 160NC | “Natural Color” — the lower-contrast, more neutral variant of Portra 160. The choice for accuracy-first commercial and fine art photographers. |
| 50 | Kodak Portra 160VC | Pre-2010 “Vivid Color” Portra variant. Higher saturation and contrast than standard Portra, less pastel. The bridal/fashion photographers’ choice before the current unified Portra line. |
| 51 | Kodak Portra 400 +1 | Overexposed 1 stop, softer pastel palette, extended highlight detail on skin |
| 52 | Kodak Portra 400 +2 | Overexposed 2 stops, ethereal pastel rendering, airy skin tones, editorial look |
| 53 | Kodak Portra 400 -1 | Underexposed 1 stop, punchier contrast, slightly deeper saturation, grittier |
| 54 | Kodak Portra 400 120 | Medium format look, finer apparent grain, smoother tonality at 6x6/6x7 |
| 55 | Kodak Portra 400 4x5 | Large format look, virtually grainless, maximum detail and dynamic range |
| 56 | Kodak Portra 400 Expired | Aged Portra stock, muted contrast, subtle color shift from emulsion aging |
| 57 | Kodak Portra 400 Noritsu | Noritsu lab scan profile, greener shadow balance, softer contrast rendering |
| 58 | Kodak Portra 400 | Everything that makes Portra 400 the most sought-after film stock for digital emulation. Warmer than 160, Noritsu vs Frontier, overexposure behavior, and the “scan vs negative” debate. |
| 59 | Kodak Portra 400NC | “Natural Color” at 400 speed — the most accurate, neutral 400-speed color negative film ever made. Discontinued in 2010. |
| 60 | Kodak Portra 400UC | “Ultra Color” / “Vivid Color” — Portra 400 with the saturation turned up. The choice for fashion, editorial, and vibrant commercial work. |
| 61 | Kodak Portra 400VC | Pre-2010 “Vivid Color” 400-speed Portra variant. Punchier than standard Portra 400, more contrast, warmer and more saturated skin tones. The higher-speed sibling of Portra 160VC. |
| 62 | Kodak Portra 800 +1 | Overexposed 800, cleaner shadows, reduced grain, softer contrast rendering |
| 63 | Kodak Portra 800 -1 | Underexposed 800, grittier grain structure, boosted contrast, low-light aesthetic |
| 64 | Kodak Portra 800 | High-speed professional portrait film, warm tones, moderate grain, low-light king |
| 65 | Kodak Pro Image 100 | Tropical-market prosumer film, warm skin, humidity-resistant, affordable professional |
| 66 | Kodak Royal Gold 400 | Discontinued premium consumer 400, rich saturation, finer grain than standard Gold |
| 67 | Kodak Ultramax 400 +1 | Overexposed Ultramax, softer yellow-blue rendering, reduced grain appearance |
| 68 | Kodak Ultramax 400 +2 | Heavily overexposed, flat pastel palette, sun-faded consumer film aesthetic |
| 69 | Kodak Ultramax 400 | Punchy all-rounder consumer film, warm yellow cast, high contrast, affordable 400 |
| 70 | Kodak Vericolor III 160 | Professional portrait film (pre-1998). Extremely low contrast, very pastel, magenta-leaning shadows. The wedding and school portrait standard for 20+ years. |
| 71 | Kodak Vericolor VPS | ISO 160 color negative film, introduced 1979. Part of the Vericolor family. Even lower contrast than Vericolor III. “VPS” = Vericolor Print Slide. |
| 72 | Kodak Vision3 250D ECN-2 | Daylight cinema film stock, full ECN-2 process look, wide dynamic range |
| 73 | Kodak Vision3 250D | Cross-processed in C-41, remjet removed, classic cinematic halation glow |
| 74 | Kodak Vision3 500T ECN-2 | Tungsten cinema film stock, full ECN-2, incredible low-light cine latitude |
| 75 | Kodak Vision3 500T | Cross-processed in C-41, tungsten-to-daylight color shift, cinematic grain |
| 76 | Kodak Vision3 50D | Slow daylight cinema film, ultra-fine grain, saturated cinematic color |
| 77 | Kodak Ektachrome 320T | Tungsten-balanced color reversal (slide) film |
| 78 | Lomochrome Purple | Color-shift creative film, greens render as purple, surreal Lomo palette |
| 79 | Lomography Color 100 | Lomo’s 100-speed negative, boosted saturation, vignette-heavy character |
| 80 | ORWO NC 500 | ORWO Wolfen NC 500 is a modern color negative film produced by ORWO (Original Wolfen) in Bitterfeld-Wolfen, Germany — the historic East German film factory. |
| 81 | RA-4 Color Print | RA-4 wet print emulation, paper base warmth, darkroom color print aesthetic |
| 82 | Rollei Crossbird 200 | Rollei Crossbird 200 is a specialty film intended for cross-processing — shooting slide (E-6) film and developing it in C-41 (color negative) chemistry. |
| 83 | SantaColor Aerocolor | Aerial survey film repurposed, fine grain, high sharpness, cool-neutral balance |