Positive/slide film emulations recreated as free Lightroom XMP presets — Kodachrome, Fuji Velvia, Provia, Astia, Kodak Ektachrome, and more. 20 free presets with punchy film S-curves, vivid color palettes, and authentic E-6 slide film color grading.
20 presets in Presets/Slide/
| # | Preset | Character / Source |
|---|---|---|
| 1 | AgfaChrome RS 100 | German slide film, slightly warm/golden cast, moderate contrast. Agfa’s professional reversal film with European color sensibility. |
| 2 | Ektachrome 100G | Predecessor to current E100, slightly warmer blue, finer grain. Professional standard for commercial work 2001-2012. |
| 3 | Elite Chrome 200 | Consumer-grade Ektachrome, warmer/more contrasty than pro E100, grainier. Kodak’s affordable slide film for the mass market. |
| 4 | Fuji Astia 100F | Soft contrast portrait slide film, neutral skin tones, Fuji’s wedding-workhorse reversal |
| 5 | Fuji Fortia SP 50 | Ultra-saturated limited edition slide, designed for cherry blossoms, Japan-only release |
| 6 | Fuji Provia 100F | Standard professional E-6 slide, neutral color balance, fine grain all-purpose workhorse |
| 7 | Fuji Provia 400F | Fuji Provia 400F (E-6, daylight balanced at 5500K) was Fujifilm’s professional ISO 400 color transparency film, introduced as the second generation of the Provia 400 line. |
| 8 | Fuji Provia 400X | Fast 400-speed slide film, punchy saturation, surprisingly fine grain for speed |
| 9 | Fuji Sensia 100 | Consumer-grade Provia variant, slightly warmer rendering, good value E-6 film |
| 10 | Fuji Velvia 100 | Less extreme than Velvia 50, warmer, better skin tones. The most-used slide film by nature photographers in the 2000s. |
| 11 | Fuji Velvia 50 | The landscape photographer’s holy grail. Extreme saturation, deep greens, punchy blues, crushed contrast, grain-free slide film perfection. |
| 12 | Kodachrome 200 | Higher-speed Kodachrome, warmer and grainier than K25/K64, good for sports/wildlife in the 1980s-90s. |
| 13 | Kodachrome 25 | Finest-grain slide film ever made (RMS 8), extremely sharp, slightly cooler than K64. Legendary among landscape photographers. |
| 14 | Kodachrome 64 | “Kodachrome had more poetry in it, a softness, an elegance. With digital photography, you gain many benefits [but] you have to put in post-production. |
| 15 | Kodak Ektachrome 100VS | Vivid Saturation variant, punchy reds and blues, pre-2009 landscape favorite |
| 16 | Kodak Ektachrome 200 | Kodak Ektachrome 200 (E-6, daylight balanced at 5500K) was Kodak’s mid-speed professional slide film. |
| 17 | Kodak Ektachrome 400X | Kodak Ektachrome 400X (E-6, daylight balanced at 5500K) was Kodak’s high-speed professional slide film. |
| 18 | Kodak Ektachrome 64 | Kodak Ektachrome 64 (E-6, daylight balanced at 5500K) was the mid-speed vintage Ektachrome slide film that predates the modern E100. |
| 19 | Kodak Ektachrome E100 | Modern E100 reissue, clean neutral slide rendering, fine grain everyday E-6 film |
| 20 | Kodak Elite Chrome 400 | Fast consumer-grade slide, punchy but grainy, Kodak’s high-speed E-6 offering |